Bill Vaughan

1. No Shame (Bb)

Intro (piano and voice): Bb          Eb              Bb7           F

Verse 1:                      Bb                                Bb7                             

No shame, no shame—the way she used to talk

Bb                                                                    Bb7    

No shame, no shame —the way she used to walk

Eb7                                                                                    Eb7

No blame, no blame —there’s nothing to do

Bb                                                  Bb7    

No shame, no shame —and she knew it too

F                                                         

Rose just stood there in the rain, she didn’t give a damn

Gb                                                      

And had to go out dancing, like the fool that I am

G                                                   Ab/Db                         A/D                             Bb              F7                                     

Naked as a jaybird, and happy as a clam, it was shameless

Verse 2:

I hear she’s from Virginia, just like Virginia Dare

I was looking in there—but there was no Virginia there

The neighbors were talking—and gasping for air

It was all very shocking—but Rose didn’t care

Well it’s a long way from the foothills, a long way to the shack

A long way to the cottage by the rusty old track

She may be from Virginia but she ain’t never going back, she’s shameless, singing:

Chorus: Bb7                                                    Bb7                                                     

Sha la la la--sha la la la la         Sha la la la--sha la la la la

Bb7                                                                  Bb7            B                C                Db   

Sha la la la--sha la la la la         Sha la la la--sha la la la la

Solo over 2^nd half of verse form:                   Eb7            Bb 

Vocal back in over last part of verse

My soul is aching, there’s no mistaking

I still don’t understand how the Earth kept quaking

Shake it but don’t break it wrap it up and I’m taking, cause I’m shameless

Verse 3:

It’s totally shameless—the way she used to talk

It’s totally shameless—the way she used to walk

I’m totally blameless—there’s nothing to do

It’s totally shameless—and she knew it too

How I miss my wild Rose, how I miss the rain

Considering the circumstance I kinda lost my train

Even after all these years I’d take her back again It’s shameless

Chorus 2:

We’re all singing:

Sha la la la--sha la la la la         Sha la la la--sha la la la la

Sha la la la--sha la la la la         Sha la la la--sha la la la la

2. Turn This Train Around (Em)

Intro: Em Em Em Em (piano solo)

Vs. 1: Em                                                        Em

When the moon rises above the clouds

C                                  C                D                                 Em

Spreading bent light to everything around

Em                                                                                                       Em

When the sun burns away the air, I don’t care

C                                  D                                 Em

Or the stars no longer there

C                                                    D                                     Em        

That’s where I’ll take you when we find the open door

C                                                    D                                      Em       

That’s when we’ll realize it don’t matter anymore

C                                                    D               Em                                                 Asus          A

That’s when we’ll walk away, hand in hand, leading away

Bm                               Em

Turn this train around

Vs. 2:

Now the train is running down the track

And it’s never, ever coming back

There must be something you can show me in the long run

There must be something you can say

There must be something you can show me show me the way

Turn this train around

Br.:   Emaj                                     C                D               E

E                        C                                            D                                 E

Everyone, take someone, turn this train around

G                       C                                   D                                          G

Everyone, take someone, turn this train around

E                       C                                             D                                 E

Everyone, take someone, turn this train around

Em             Em             Em             Em

Piano solo over verse, other solos as desired

Vs. 3:

When the moon rises above the clouds

Spreading bent light to everything around

There must be something you can show me in the long run

There must be something you can say

There must be something you can show me show me the way

Turn this train around

Everyone, take someone, turn this train around

Everyone, take someone, turn this train around

Everyone, take someone, turn this train around

Repeat and fade

3. Take Me Back (G)

Intro: G     Bm             Em             Bm                   ||          G               Bm             Em7           Asus A7

D               D+             Em             A7             Dsus D7    ||                G               G

Verse 1:    G/B            C                   G/B            Em                           

Remember what we said and what we’ve done
G/B                C                              G/B                              Em                

Yesterday was here but now it’s gone
G/B                                                C/A           

Tumbling through a silver gate

Bm/D                                       Em      D        C        G/B     Bbdim    Am      Dsus        D   G   G

How the memory haunts me so

Verse 2:

Remember my old friend when you and me

Remember when the world and we were free

But now with this and that to do

There's no time for reverie

Bridge 1:

G/B                              C                                  Bm/D                       

Take me back, take me back, take me back

Em   D/F#   G  D/F#   Am    G   ||   Am   G   F   F   C  /E    D    C   Am       Dsus          D    G  G         

Please-----------------------------------------

Verse 3:

Remember what we said and what we’ve done                             

Yesterday was here but now it's gone

Never ending can’t you see you and me

Bridge 2:

Take me back take me back take me back please

End:   G/B    C    G/B:   G/B    C    G/B  repeat to fade

. No Ordinary Man

Intro: G        ||             G              

Verse 1: G                                                                                          Dm   

Outside the walls of Trenton fair, just across the Delaware

Am                        F                      G   

Some labored mightily to remember

G                                                                                                         Dm   

Some words to take them through the ice, into the place of low devise

Am                               F                                 G   

On fortunes borne on winds of cold December

Verse 2:

The sun had shown for all to see, from ramparts Washington and Lee

But now the weather’d turned to snow and rain

Some stopped to watch the rabbits run before the muzzle of a gun

Had silenced the most cynical refrain

Bridge1: Em                                                                                        A7

Rahl’s Hessians turned in for the night and slept in beds so warm and tight

           Dm                                                                         Bb

Content that they had noted every plan

Em                                                                   A7

No need to fear the common folk, waiting for some lucky stroke

Dm                              Dm  Dm                                        G

Just sitting there, like some ordinary man

Verse 3:

They crossed where only errands go, leaving traces in the snow

The cost was high, but currency no object

Outside the weather lowed and moaned as winter sought to claim its own

But inside they were warming to the subject

Verse 4:

Then something sounded in the squall, perhaps a frantic wakeup call

Echo’d down the streets of King and Queen

The sounding of the mission bell and all had gone extremely well

No exit strategy had been foreseen

Bridge 2:

But after some reflection, was proffered the suggestion

That they make a slight correction in the plan

He thought about it warily, but only momentarily, he was after all

No ordinary man

Solo over verse and bridge form

Verse 5:

He got up from the table he was only barely able to put

One foot past the other out the door

And shuffle off to Buffalo or any place the wind might blow

Cause any place was better than where he’s heading for

Verse 6:

Around the corner, down the road, a tempest wind began to blow

And blew nine hundred souls into the bucket

And so a Hessian lesson taught, the overwhelming train of thought:

If thy eye offend me well then pluck it

Bridge 3:

To think one day the world could change, beyond your scope, beyond your range

And who’s to say it wasn’t in the plan

A lowly bunch what played a hunch and beat ol’ Howie to the punch

Delivered by no ordinary man.

Bridge 4:

And for a final second, Pennsylvania beaconed

You’ve got to seize the moment when you can

The snow is swirling all around, the world is turning upside down

After all, that’s no ordinary man

G             F                                    G

That’s no ordinary man, that’s no ordinary man

Repeat and fade

5. Southbound Woman (Em)

Intro: Drums and bass for 4 measures: Em7

(Figure over chords)

(Bb  A G A G E          G A G A   Bb  A G A G E           G G E-- ://:)               

Em                                                 Em                               Em                                                 Em                ://:

Vs. 1:                                             Em7               Em/G        A                Em7

I met a southbound woman on a northbound train

Am                      Bm                     Em7

She put me in trouble, she left me in pain

                             Bm7                                                         Am

She came for the summer and left with the rain

(Intro Figure, once)

Verse 2:                                       

Oh--long gone woman, I guess my hand’s been played

I caught you with diamonds, oh I miss you in spades

Southbound woman trouble me again

(over figure twice):

I bet you know how to ride

With your wheels on the side

Why don’t you come on inside?

Bridge 1:   EMaj         G#m7                          C#m                             G#m

Cold hearted woman don’t you let me down

EMaj                           G#m7                          C#m                             G#m

Big hearted woman I won’t let you down

F#m                             C#m7                             F#m7                         A7/E

Southbound woman, I won’t give you tears

D7                                                                                    

Not in a thousand nights

 C#7                             F#m                             B7             

Not in a hundred years

(over figure twice):

Why don’t you uncouple your cars

In my freight train yards?

But don’t you bring them in hard

Solo over verse form and intro figure

Bridge 1:

Cold hearted woman don’t you let me down

Big hearted woman I won’t let you down

Southbound woman, I won’t give you tears                                                                           

Not in a thousand nights

Not in a hundred years

(over figure):

I bet you know how to ride

With your wheels on the side

Why don’t you swallow your pride?

I met a southbound woman on a northbound train

She put me in trouble, she got me in pain

I need that kind of woman to trouble me again---oh

(over figure):

I bet you know how to ride

With your wheels on the side

Why don’t you come on inside?

If you know how to ride

Why don’t you uncouple your cars

In my freight train yards?

Why don’t you come on inside?

If you know how to ride

Oh south bound woman

Whoa, southbound woman

Ah, southbound woman

Yeah, yeah, yeah, yeah, yeah, woman

Yeah, yeah, yeah, yeah, yeah, woman

Yeah, yeah, yeah, yeah, yeah, woman

Oh south bound woman

6. Lonesome Road (F)

Intro:: F/A Bb              Dm            Bb              F/A            Bb              F                F

Verse. 1: F                                    F/A                              Bb     Bb/C   Bb/D  Bb/E      F      (C C Bb/D F Bb/D F)

When I was young I used to think how it would be

F                                  Am7                            Bb   Bb/C   Bb/D  Bb/E      F        A7            

Away from family friends and home

Dm       A7                                           Bb   Bb/C   Bb/D  Bb/E     F   A7

I realize it wasn’t easy or free

Dm7  G7                     Eb              F               

Out on the lonesome road

Dm7  G7   Eb                                F

Verse 2:

Now I am older but no wiser it seems           

I make the same mistake over and over

All I ever wanted was to follow my dreams

Out of the lonesome road

Out of the lonesome road

Chorus. 1:                    F                 F/G     F/A       F/C                  Bb   Bb/C   Bb/D  Bb/E   F  (C C Bb/D F Bb/D F)

Well we all spend time on the lonesome road

              F     F/G     F/A     F/C                     Bb   C   A7/C# 

We all look down it in the same way

Dm                                  A7         Bb   Bb/C   Bb/D  Bb/E      F        A7

Who would choose a life alone? 

Dm7  G7                     Eb              F

Out on the lonesome road

Dm7  G7   Eb                                F

Verse 3

Somewhere somebody throw the lifeline out

Just grab a hold and let it go

Who pulls it in without a single doubt?

No one on the lonesome road

Chorus 2:

Well we all spend time on the lonesome road

We all look down it in the same way

Nothing’s been the same since you went along 

Out on the lonesome road

Out on the lonesome road

Chorus 3 modulate to G:           

                       G     G/A        G/B     G/D            C   C/D   C/E  C/F#   G  (D D C/E  G  C/E  G)

Well we all spend time on the lonesome road

           G     G/A     G/B     G/D            C   C/D   C/E      D   B7/D# 

We all look down it in the same way

Em                                                 B7                               C   C/D   C/E   C/F#    G                B7

Nothing’s been the same since you went along 

Em7  A7               F                           G         Em7  A7    DM7   C7    Bb

Out on the lonesome road      

Verse 4 (return to original key of F):

And shall we meet again along the line?                                 

Well, I can’t see and I don’t know

This desperation’s just a waste of time

Lost out on the lonesome road

Chorus 4:

Well we all spend time on the lonesome road

We all look down it in the same way

Who would choose a life alone? 

Out on the lonesome road

Chorus 5:

Well we all spend time on the lonesome road

We all look down it in the same way

Nothing’s been the same since you went along 

Out on the lonesome road

Out on the lonesome road

Dm7             G7                 Eb                         F

Woah--oh on the lonesome road

Out:              Dm7          G7                                 Eb                           F

Well we all look down on the lonesome road

Well we all look down on the lonesome road

Well look down, look down, look down, look away

Well look down, look down, on the lonesome road

Well look down, on the lonesome road some day

Well look down, on the lonesome road some day

Woah--ah on the lonesome road

Woah--ah on the lonesome road

Repeat and fade or repeat intro

. Georgia on my Mind (f) H. Carmichael

Vs.

Georgia, Georgia the whole day through (the whole day through)
just an old sweet song keeps Georgia on my mind (Georgia on my mind)

I said a Georgia, Georgia a song of you (a song of you)
comes as sweet and clear as moonlight through the pines

Br.

Other arms reach out to me other eyes smile tenderly
still in the peaceful dreams I see

The road leads back to you

I said Georgia, oh Georgia, no peace I find (no peace I find)
just an old sweet song keeps Georgia on my mind (Georgia on my mind oh)

Instrumental verse

Other arms reach out to me, other eyes smile tenderly
still in peaceful dreams I see
the road leads back to you

Oh Georgia, Georgia no peace, no peace I find
just an old, sweet song keeps Georgia on my mind (Georgia on my mind)
just an old, sweet song keeps Georgia on my mind (Georgia on my mind)

8. Promises (E)  bill vaughan

(two guitars, bass, drums, vocals)

Instrumental verse 1^st 2 stanzas-guitar lick

Vs. 1: e                                    a                      e

Ask me why i’m walking around

A                     e                                  b                      b

Upside down two feet off the ground

E                      e                      a                      e

Ask me how it happened to be

A                     e                                  b                      b

This happiness just happened to me

A                                 b                           e    

She made promises to me

Vs. 2: Tell me how     the sun in the sky

Shining so bright         gives off such a light

Show me where the moon up above

Shines such a light as on our love

She made promise to me, yeah,  she made promises to me

Br. 1: a                                                   e                       a                                          b

She promised to be my one, she promised to be my only

A                     e                      a                                                          bsus     b

She promised to be my love, and never to leave me lonely

Instrumental verse—(solo follows verse form)

She made promise to me, yeah,  she made promises to me

Br. 2: She promised to be my one      she promised to be my only

She promised to be my love, and never to leave me lonely

Vs. 2:

A promise is made a promise is kept

A promenade   step by step

That is why, day after day

I see the promise in every way

She made promise to me, yeah,     she made promises to me

She made promise to me, yeah,     she made promises to me

Out: instrumental intro repeated fade out

10. Six Forty Two (D)

Ch. 1:  D        Em    C                        G  G/B

Six forty-two, six forty-two

D                     Em    C                        G   G/B    D    D

What can I do? Six forty two---

Vs. 1: D                                 Em       C                                             G

Over there in the station see the clock on the wall

Bm                      F#m                                     G                                 G/B                   D

Face full of dust, arms starting to rust nothing’s working at all

D                                             Em       C                                 G

The seconds take hours the hours take days

Bm                      F#m                   G                               D

Time passes by the moments fly upon their way

Br. 1: F#m                                                     C#m                           

It says it’s four in the morning           but with the wind in my eye

G                                                D

Time is a lonely siren calling

F#m                                                        C#m  

You’d think it might notice, youd think it might try

G                                 Bm/F#                                     Em       A7

All over the world the hours are fall---ing      at

Ch. 2: 

Six forty-two, six forty-two

What can I do? Six forty two---

Vs. 2:

How could I have missed it, why didn’t I see

An hour or two, is an hour too few, momentarily

I’m like that old timepiece, heart frozen in place

Can’t make a sound, tears running down all over my face

Br. 2:                        

Somewhere it is morning         somewhere it is night

Someplace the evening bells have spoken

It gave me no warning, just stopped telling time

And now my heart and soul are broken         

Ch. 2: 

Six forty-two, six forty-two

The worlds’ gone blue, six forty two---

Solo (over verse form)

Br. 3:                         

So this is my folly   so this is my plight

I’ve all the time in the world to bear it

So melancholy, so bitter with light

And noone’s time for me to share it

Ch. 2

Six forty-two, six forty-two

The worlds’ gone blue, six forty two---

Ch. 2: 

That’s when I knew, that we were through

The worlds’ gone blue, six forty two---

11. Raised on the Run (C) Bill Vaughan

Intro:

C         (C/E F F#dim G)  G                C         F              C     (G Am C Am C)

Ah ah ah                      (raised on the run, raised on the run)

Vs. 1: C         G7                               C         F7        C         (G Am C Am C)

Still waters run deep--and I’ve no promises to keep

                 C                E7        G7                   C                     F          C  C7

Take my heart but leave my soul, I’ll be needing it til I grow old

            F                      F7                    C                     Am                 

On the day that I was born--was a mean and nasty storm

D7                   D7/F#              G                     G7

On the day that I go cold will be a hurricane I’m told                       

C                     G7                   C            F7           C (G Am C Am C)          

Be no peace in this old town—til the day they run me down

                 C          E7         G7                                    C         F          C     C7

They can cry and rant and rave--and plant a stone over my grave

            F                      F#Dim                         C/G                 Am                 

Even then the crops that rise—will have the devil in their eyes

            C/E                  (C/E F F#dim G)  G                            C  F                C (G AM C Am C)

I was borne on the water                    but I was raised on the run (raised on the run)

Vs. 2:

All my life I guess I’ve known that I’d never quite atone

For the kisses that I’d share and the witnesses I’d bear

Mrs. Evans, when I was three, she took a good long look at me

When I turned ten, she looked again, that was the end of the mystery

Life is short and life is sweet, and you don’t get no reprieve

You can keep it one-on-one, but you’ll be doing it one and done

As for me, as I live and breathe, it’s like it’s tattooed on my sleeve

I was borne on the water but I was raised on the run (raised on the run)

Solo: (over verse form)

Oh yeah                      I was—borne on the water     borne on the water

But I was raised on the run

Vs. 3: Got no chains as you can see, got no strings attached to me

Take my heart but leave my soul, I’ll be needing it til I grow old

On the day that I was born--was a mean and nasty storm

On the day that I go cold will be a hurricane I’m told           

Life is short and life is sweet, and you sure get no reprieve

You can keep it one-on-one, but you’ll be doing it one and done

As for me, as I live and breathe, it’s like it’s tattooed on my sleeve

I was borne on the water but I was raised on the run (raised on the run)

As for me, as I live and breathe, it’s like it’s tattooed on my sleeve

I was borne on the water but I was raised on the run (raised on the run)

I was borne on the water but I was raised on the run (raised on the run)

Out: C (C/E F F#dim G)  G                           C         F          C         (G Am C Am C)

Ah ah ah                                  (raised on the run, raised on the run)

Ah ah ah                                  (raised on the run, raised on the run)

Ah ah ah                                  (raised on the run, raised on the run)

Ah ah ah                                  (raised on the run, raised on the run)

45 MILES FROM BERRYVILLE D           BILL VAUGHAN

Intro (Piano): D         D         D

Vs. 1 (piano and voice):D               D/F#               G         G/A G/B G/C#  D     

WHEN I STARTED OUT THIS MORNING, THE SUN WAS IN MY EYES

                        F#m                    Bm   Bm/A             E7/G#                            Gm

BUT BY EVENING-TIDE, THE SUICIDAL CLOUDS CAME ROLLING BY

Em                                                      G        

WELL, I MIGHT JUST LAST, IF I CAN MAKE IT ON PAST

            Bm                  Bm/A                          E7/G#             E7      

THE DIVE AT THE WEST VIRGINIA LINE

    D     D/F#               G     A    Bm               G                                             D

BUT I’M 45 MILES FROM BERRYVILLE, AND I’M DRIVING NEARLY BLIND

Vs. 2:  (Full Band)

THERE’S AN ANCIENT HOLLOW BLESSING, IT GOES SOMETHING LIKE THIS

WHEN YOU LEAVE ‘EM, LEAVE ‘EM GUESSING AND GRACE THEM WITH A KISS

‘CAUSE THE KISS THEY’LL RECALL, WHEN THE CURTAINS FALL

AND THE LAST NOTE’S ECHO IS DONE

I’LL BE 45 MILES FROM BERRYVILLE, BEFORE THEY EVEN KNOW I’M GONE

Ch. 1:  D  F#m  Bm   D/A     G                     D            D  F#m  Bm  D/A   E7/G#             Gm

AH-OOH,                               I’M ALMOST GONE, AH-OOH,                  I’M ALMOST GONE

                        Em7                                                    G

WELL, THE KISS THEY RECALL, WHEN THE CURTAINS FALL

Bm                  Bm/A      E7/G#                     E7

AND THE LAST NOTE’S ECHO IS DONE

    D     D/F#               G     A    Bm               G                                 D

I’LL BE 45 MILES FROM BERRYVILLE, OH LORD, I’M ALMOST GONE

Vs. 2

NOW WAIT A MINUTE, WOULD YOU PASS ME BY THE SIDE OF THE ROAD

IF YOUR HEART’S NOT IN IT, I MIGHT NOT EVER HAVE KNOW’D

IF YOU LOSE YOUR NERVE AT EVERY OLD CURVE

AND THE SHADOWS MAKE YOU WANT TO RUN

YOU’LL BE SHUFFLING ON OUT OF BERRYVILLE THE HOUR YOUR RUNNING IS DONE

Ch. 2

AH-OOH, I THINK MY RUNNING IS DONE, AH-OOH, I’M ALMOST GONE

I THINK I LOST MY NERVE AT THAT LAST DEEP CURVE

‘CAUSE THE SHADOWS MAKE ME WANT TO RUN

AND I’M 45 MILES FROM BERRYVILLE, OH LORD, WON’T YOU CARRY ME ON HOME

Ch. 3

AH-OOH, WON’T YOU CARRY ME ON HOME, AH-OOH, I’M ALMOST DONE

WELL, THE KISS THEY RECALL, WHEN THE CURTAIN’S FALL

AND THE LAST NOTE’S ECHO IS DONE

    D     D/F#               G     A    Bm   Bm/F#                        Bm                                         

I’LL BE 45 MILES FROM BER - RY- VILLE,

G                                 D

OH LORD, I’M ALMOST GONE

Out: D D         D         D/F#   G     A    Bm  

A WOMAN LIKE YOU (F) BILL VAUGHAN

Intro:  F           F/a  Bb  Bdim  C7    F/A       Bb   Bb  Ab G  F ://:

Vs. 1               F                                              F/A

WELL I, TOOK UP WITH THIS FILLY LEGS THAT WOULDN’T QUIT—WE WENT

F/C                                                                              Bb                               Bb7

DOWN TO THE ONE AND A HALF TIL IT MAKES ME WANNA SPLIT—WE PUT

F                                                                                  F/A

WINGS ON MY MONEY YOU KNOW AND WE WATCHED IT FLY AWAY

F/C                                                                                                      Bb       Bb7                             F          F7

MORE THAN I’VE MADE IN MY WHOLE DAMNED LIFE I DROPPED IT IN A SINGLE DAY

Bb          Dm                                       F                                  C

BUT THAT’S OKAY I GUESS THE WAGES BOUGHT THE SIN

Bb                   Dm                                                      F/C                              C

AND IT’S NO WORSE DURESS THAN THE TROUBLE THAT I’M IN

Ch. 1  F                                  F                      F/A  Bb  Bdim  C7  

IT’S A WELL KNOWN FACT BABY, IT’S TRIED AND TRUE

F/A      Bb                     Bb  Ab    G         F

OH BABE I NEED A WOMAN LIKE YOU

F                                              F                                     F/A  Bb  Bdim  C7  

AND IF YOU TAKE ME BACK WOMAN I’LL BE CLINGING TO YOU

F/A      Bb                     Bb  Ab    G         F

OH CHILD I NEED A WOMAN LIKE YOU

Vs.2:

THEN THERE WAS THIS STRANGE FAST BIRD THE ROAD GONE LONG AND STRAIGHT

I HAD TO LEARN THE PASSWORD AND IT MUST HAVE BEEN MY FATE

I WAS BURNED IN THE BUSHES AND FROZEN IN THE SAND

IN THE MIDDLE OF ALL THE WATER IN THE WORLD I WAS DYING A THIRSTY MAN

IT’S WRITTEN IN THE BOOK IT’S TAUGHT IN ALL THE SCHOOLS

DON’T TAKE A SECOND LOOK DON’T BEND THE GOLDEN RULE

Ch. 2

IT’S A WELL KNOWN FACT BABY, IT’S TRIED AND TRUE

OH BABE I NEED A WOMAN LIKE YOU

AND IF YOU TAKE ME BACK WOMAN I TELL YOU WHAT I’D DO

OH CHILD I NEED A WOMAN LIKE YOU

Br. 1: F

WOMAN—YOU KNOW I REALLY DON’T HAVE A CLUE

Eb7

WOMAN—HOW YOU DO THE THINGS YOU DO

D7/Dm7

WOMAN—IF I EVER STOP TO WONDER WHY

Eb

WOMAN—I’D BE LAUGHING SO I DON’T HAVE TO CRY

Intro figure

Vs. 3

I HAD TO GO OUT WEST YOU KNOW WHERE THE TREES GROW WAY UP HIGH

I HAD SOME LAWS I HAD TO TEST AND SOME RULES I HAD TO TRY

YOU KNOW I STOKE A LOT OF FOLKS AND I RAISED A LOT OF CAIN

BUT I PUT IT ALL ON THE HOPES THAT YOU WOULD TAKE ME BACK AGAIN

IT’S WRITTEN IN THE BOOK IT’S TAUGHT IN ALL THE SCHOOLS

DON’T TAKE A SECOND LOOK DON’T BEND THE GOLDEN RULE

Ch. 3

IT’S A WELL KNOWN FACT BABY, IT’S TRIED AND TRUE

OH BABE I NEED A WOMAN LIKE YOU

AND IF YOU TAKE ME BACK WOMAN I TELL YOU WHAT I’D DO

OH CHILD I NEED A WOMAN LIKE YOU

Ch. 4

IT’S A WELL KNOWN FACT BABY, IT’S TRIED AND TRUE

OH BABE I NEED A WOMAN LIKE YOU

AND IF YOU TAKE ME BACK WOMAN I TELL YOU WHAT I’D LIKE TO DO

OH CHILD I NEED A WOMAN LIKE YOU

Br. 2:

WOMAN—YOU KNOW I REALLY DON’T HAVE A CLUE

WOMAN—HOW YOU DO THE THINGS YOU DO

WOMAN—IF I EVER STOP TO WONDER WHY

WOMAN—I’D BE LAUGHING SO I DON’T HAVE TO CRY

Br. 3:

WOMAN—YOU KNOW I REALLY DON’T HAVE A CLUE

WOMAN—HOW YOU DO THE THINGS YOU DO

WOMAN—IF I EVER STOP TO WONDER WHY

WOMAN—I’D BE LAUGHING SO I DON’T HAVE TO CRY

Out:  Intro Figure